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Most songs start simple. An acoustic guitar, a melody, a line, or just a feeling I can’t shake. From there I build around it with lo-fi drums, bass, textures, and whatever else the song needs.

The writing is personal. A lot of it comes from overthinking, loss, addiction, relationships, avoidance, and trying to make sense of where I’m at. I’m not trying to sound perfect or overly polished. I’d rather leave some rough edges in becuase life isn’t always smooth.

My vocals usually sit somewhere between singing and talking. Quiet, tired, melodic, sometimes a little messy, with a controlled cathartic rasp when the song needs it. I want my vocals to feel flawed.

The music stays pretty simple. Acoustic guitar, warm bass, loose drums, subtle textures, and enough empty space for the words to breathe.

habits helped a lot of initially people find my music, but I’m still making songs one idea at a time, mostly for myself first, and hoping somebody else hears something in it they needed too.

still here, still lost is more like a mixtape than a polished album. Some songs are finished, some are demos, some are samples, and some are just half-thoughts I might come back to someday. I didn’t want it to feel too cleaned up. A lot of it is just where my head was at in the moment, rough edges and all. Songs like drifting forward and and that’s why I love you show different sides of it, but the point was never perfection. It was just getting the ideas out before they disappeared.

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I make music for people who live in their head a little too much. People carrying patterns, heartbreak, avoidance, old feelings, and things they don’t always know how to say out loud. The sound moves between lo-fi acoustic, indie pop, and hip-hop, but I’m not really chasing one lane. I’m just trying to turn whatever feels heavy into something we can sit with and feel less alone.

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    01. habits - remastered
    longleggss

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